Daniel Ross Goodman
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Art

  • The Haunting Magic of Maurice Sendak
  • Poetry in Painting: Joan Miró 
  • Ernst Ludwig Kirchner
  • Caspar David Friedrich
  • The Triumph of Rembrandt
  • David Hockney: Drawing From Life 
  • Jasper Johns: Mind/Mirror
  • Sketching with Cézanne
  • Titian's The Rape of Europa
  • The Medici: Portraits and Politics in Sixteenth-Century Florence 
  • Hans Holbein: Capturing Character
  • Matisse: The Red Studio 
  • Donatello: The Renaissance
  • High Anxiety: The anguished vision of Edvard Munch​
  • Tangling Over Bosch: When museums fight, do masterpieces suffer?
  • Mom’s the Word: How Whistler’s portrait went from radical to iconic
  • ​Schiele’s Facts: Portraits by the artist of the inner self
  • Vision of Tomorrow: An Italian Landscape called the Future
  • Paradise Found: The ideal(ized) vision of Paul Gauguin
  • Smooth Draft: The innovative art of Edward Hopper 
  • "Be Fruitful and Multiply": The sui generis impressionism of Pierre-Auguste Renoir
  • ​Monochrome Picasso: Weaving the Master’s spell without color
  • Lessons From Van Gogh, Velázquez and Vermeer: Celebrity Culture and Domestic Workers' Rights
Picture
Somewhere Over the Rainbow: Wonder and Religion in American Cinema

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  • Home
  • About
  • Articles
    • Literature
    • Art
    • Film
    • Religion and Jewish Studies
    • Theater, Television, Sports & Culture
    • Op-Eds and Letters to the Editor
  • Short Stories
  • Poetry
  • Books
    • Fiction
    • Nonfiction
  • Audio
  • Video
  • Media
  • Contact